Corset Silhouette
The corset has changed greatly through the years.
Below are some examples of how the torso (rib cage through hips) has been
altered to fit into styles of clothing. I may be adding Tudor and Elizabethan
styles later. I want to concentrate on corsets that are mainly designed to
reduce the waistline.
Hourglass
To the right is a drawing of the hourglass or "curvaceous corset".
This type of corset was brought back in the late 1950's by the Ol' Corsetier,
who is now known as Fakir Musafar. One of the major features of the hourglass
style is that it provides more room for the lower ribs and is easier to reduce
your waist-line quickly. This allows for optimum waist reduction with the
minimum of effort. That is, you don't necessarily have to undergo a few months
of serious corset-training, compressing the lower ribs, to achieve a sculpted
waist.
This feature makes this style an excellent choice for the
occasional tightlacer. Unfortunately, this can give the wearer the appearance
of an unnatural look to the waist line. Some people do not like this look, as
it tends to make the torso take on the shape of a pillow being cinched in by a
belt. But this is when the wearer has a great difference in measurements
between the hips, waist, and chest.
Pipe-Stem
To the right we have the pipe-stem style corset. What separates this
torso style from the others is the extreme length of the waist section. The
lower, floating ribs, which are flexible, are severely compressed through the
cut of the fabric and rigid boning. The
pink
arrow points out the area where the natural waist is. The
green arrows depict where the lengthened
waist line has formed through this style of corset.
This is an extremely advanced type of corset. Due to the
extreme pressure on the lower, floating ribs, the wearer must be an
accomplished tight lacer. The best candidate for this style of corset is
someone who has been corseting since a very early age ( early teens), it will
take years for the person to achieve this type of torso modification. Our bones
are soft and pliable when we are young. As we get older, or bones become
stiffer, and it will take more time and energy to conform your body to a severe
type of corset such as this.
I have yet to see a pipe-stem corset as depicted in
publications such as "London Life" and John Willies' "Bizarre", with 4" - 6"
waist length. I believe this type of corset mainly existed in
fiction.
Even if this style of corset only existed in fiction, it can be
made. I can include a pipestem in your next corset. Just ask, and I will add it
to your design, free of charge. But be warned, this adds more strain on the
wearer's lower ribs.
A pipestem should only be used on those that truly
waist train, and are accustomed to the 24-hour compression.
Straight-Front or S-Curve
To the left we see the front and back views of the Straight-Front or
S-Curve corset. Throughout the latter-half of the nineteenth century, corsets
were getting tighter and tighter about the abdomen, causing a variety of health
risks. The emphasis was on the small waist, offset by curves at the hips and
rib cage brought about by the severe cut of the previous Wasp style corsets. In
1900 Mme Gaches-Sarraute, a Parisian corsetiere who studied medicine, designed
the Straight-Front or S-Curve corset. This style of corset was designed to
alleviate many of the stresses on the abdomen. By using a very stiff busk with
inflexible, supporting steels, the corset supported the abdomen, rather than
constrict it. This style was heralded by doctors as a safer style of
corsetry.
At least, this is what the corset was
primarily designed to do at first.
But then, us tightlacers, corsetiere's, and dress designers,
realized that this style of corset can allow an even smaller waist. When this
corset is tightened to the compression needed for serious lacing, the chest is
thrust out, and the hips are thrown back. As shown in the drawing, tight-lacing
this style of corset created the S-Curve, "kangaroo", or "Gibson" profile. This
odd shape was due to the strategic points where the inflexible steels were
placed, the cut of the fabric, and tighter lacing than what Gaches-Sarraute and
doctors recommended using.
But then, us tightlacers, corsetiere's, and dress designers,
realized that this style of corset can allow an even smaller waist. When this
corset is tightened to the compression needed for serious lacing, the chest is
thrust out, and the hips are thrown back. As shown in the drawing, tight-lacing
this style of corset created the S-Curve, "kangaroo", or "Gibson" profile. This
odd shape was due to the strategic points where the inflexible steels were
placed, the cut of the fabric, and tighter lacing than what Gaches-Sarraute and
doctors recommended using.
Construction-wise, how was this look achieved? First off, what
is rarely documented, is that it is the shape and cut of the fabric pieces in
conjunction with the stiffness and placement of the boning that gives the shape
of the garment. NOT the bones themselves. The most complicated, custom tailored
corsets used up to 24, individually cut pieces of fabric for each side. Theses
pieces were expertly tailored with complicated curves that marked the height of
complicated corset design.
If you look closely at the drawings above,
you will see thin, dark blue lines. These depict some of the seams used to
achieve the shape of the corset. You will also notice that it looks much more
complicated than the hourglass, wasp, etc. These complicated patterns was used
to redistribute the stress off the abdomen and place it on the sides. Also,
wide hip panels was used to broaden the hips.
You will also notice
wider, bright blue lines. steels running up the front and back of the corset.
These depict the inflexible steels running up the front and back of the corset.
By using an inflexible busk and supporting steels, the corset avoids much of
the compression which occurs over the abdomen when a lighter, less stiff busk
and supporting steels are used. By using the stiffened busk, much of the
pressure is off the abdomen and redistributed onto the sides of the waistline.
This is to alleviate problems such as indigestion, cramps, and heartburn. The
thinner blue lines depict flexible boning to help control the hips and torso.
I would like to say at this point that this is a most unhealthy style
of corset for the tightlacing woman. The rigid underbusk in conjunction with
the supporting steels, put a great deal of pressure on the lower abdomen and
womb. So much so, that some unfortunate ladies, would have a prolapsed or
sagging uterus, causing it the invert and protrude from the vagina. There were
some remedies for this, such as the pessary. A pessary is a truss-like
arrangement with a rod that is placed inside the vaginal cavity. The purpose of
the rod is to support the sagging womb. This horrible condition and device
should be avoided at all costs, and it is up to the competent corset designer
to prevent this.
True, there are a few contemporary corset manufacturers
that do list "straight-front" corsets, they do not contain the overly-stiff
stays of yesterday. Some even are so flimsy, that the lower abdomen billows out
from under the waist section.
That said, I would like to add that I
have no desire to reproduce the straight front corsets of the early 1900's. As
a corset designer and tightlacer, I can personally say that these are really
not geared towards modern clothing styles and life-style (not to mention the
health risks). However, in the following style, you will read that I have added
some of the healthful benefits to my designs.
The Wasp Creations Shape
While we are on the subject of corset shape and torso styling,
I would like to share with you what type of form my corsets follow. I have been
asked if my designs follow the wasp, hourglass, straight-front, or pipe-stem
shapes. . The styling that I prefer to use in my designs, is an amalgamation of
the Wasp torso, with a small pipestem at the waist or greater if you are an
accomplished tightlacer), and a flat belly. This is the look that I have been
striving for years.
The Wasp torso creates a gradual tapering of the chest to the
waistline. It makes the waist longer and in many people's opinion, sexier than
the hourglass. To achieve this look, the corset puts more pressure on the
lower, floating ribs. The floating ribs will give, and in time, your rib cage
will look like that of the corset. As you have read above, the Wasp shape is a
bit constrictive on the ribs and a bit difficult to wear for the novice or
occasional tight-lacer. In my designs, I take into account that not everyone
has the desire to live in their corsets 24 hours a day. Therefore, I allow a
little extra room for the floating ribs while still giving the erotically
tapered, wasp shape.
The pipe-stem in my designs are more like a short waist line. I
place a 1/2" waistline in all of the corsets I make for females. I make the
corset comfortable to wear, yet still retain the Wasp shape. For males, I forgo
the pipestem, yet still retain the wasp torso. For more information on corsetry
for men visit the
male corsetry page. If you are an
accomplished tightlacer, and would like a longer pipestem, like 1 or 1 1/2",
just ask, and I will add it to your corset at no extra cost. Just ask. A 1" or
1 1/2" pipestem may not sound like much, but it dramatically effects the shape
and appearance of the corset.
My corsets employ a stiff underbusk. Much
stiffer than what most other corsetieres use. This is to alleviate most of the
pressure on the abdomen when tight lacing and placing more constriction on the
sides of the waist. Resulting in a thinner profile. If the front of the corset
is too flexible, it will cave in the tummy and cause severe cramps, heartburn,
constipation, gas, and other things proper ladies and gentlemen should not have
to endure while corseted. Also, the stiffened underbusk puts gentle pressure on
the lower abdomen, preventing the unsightly protruding belly so commonly seen
in modern corsets. The pressure presented on the lower belly is not so great as
to cause problems associated with the traditional straight-front corsets. The
Underbusks that I make in house are as stiff or stiffer than what was used in
straight front corsets. The pattern is not cut the same way as the
Straight-Front corset, so you won't get the odd "Gibson" stance nor the health
risks.
For more information on the specifics of my corsetry designs, please visit the
Articles page.
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